By Nick Kostov And Ruth Bender 

PARIS--When Vivendi SA's Chairman Vincent Bolloré took the microphone in front of top executives of its French pay-TV business earlier this month, he made it clear that times had changed.

Three days before addressing Canal Plus's managers, Vivendi had abruptly ousted the unit's No. 2 executive, Rodolphe Belmer, a sign that Mr. Bolloré was tightening his grip on the TV firm.

"You will see us all the time now," Mr. Bolloré said July 6 to the top 100 Canal Plus managers gathered at the channel's headquarters southwest of Paris, accompanied by Vivendi's top managers, according to people familiar with the matter.

Under Mr. Bolloré's predecessor--when Vivendi was still a much larger and diverse company--Canal Plus and other units were given more of a freehand in the day-to-day running of the business, according to current and former executives.

Mr. Bolloré, who is also Vivendi's single-largest shareholder, has changed that.

The billionaire has gradually exerted more control over Vivendi since taking the helm in 2014. Earlier this year, he increased his stake to nearly 15% in Vivendi and named some of his closest allies to the company's board. He has also pushed the group's two main units--Canal Plus Group and California-based Universal Music Group--to coordinate more closely as he works toward creating a new future for the media-focused group.

Now, Mr. Bolloré is pushing for concrete changes at the French pay-TV business. The chairman wants to add "new functions and new faces" to Canal Plus's top management team in September, according to one of the people, in a bid to increase profitability and audience numbers.

"Nothing in the organizational structure is set in stone," he told the crowd of executives, including the long-running chairman of the Canal Plus management board Bertrand Meheut, the people familiar with the matter said.

For Vivendi, a lot is at stake in shaking up Canal Plus. The pay-TV group is currently Vivendi's largest business, accounting for more than half of its revenue and profit. But the unit has struggled amid the economic downturn in France and heightened competition on its home turf in recent years.

Overall, Canal Plus revenue has been boosted by international activities and its film unit StudioCanal but the French pay-TV business has struggled with new competitors such as beIN Sports, a channel backed by Qatar, and online video service Netflix Inc.

Vivendi wants to change how costs are allocated for certain programs, especially the five hours a day that are free to view, according to the people familiar with the matter. The parent company also wants to rethink its commercial strategy as Mr. Bolloré is dissatisfied with audience numbers for certain flagship programs such as "Le Grand Journal, " a nightly news talk show, and popular satirical puppet show "Les Guignols."

Mr. Belmer, who oversaw the French programming as part of his job, was asked to leave because he failed to make changes Vivendi wanted to make to the channel's programming and budget plans for the coming new season, one of the people familiar with the matter said. Another person said Mr. Belmer challenged some of the changes sought by Mr. Bolloré and was ousted as a consequence.

Mr. Bolloré faces a tricky task in trying to revive Canal Plus. Pay television has suffered in many European markets as consumers tightened their belts in the economic downturn and are turning to Internet-based services for cheaper entertainment. Pay-TV revenues in Western Europe are expected to be flat at around $32 billion between now and 2020, according to Simon Murray, a senior analyst at London-based Digital TV Research.

Mr. Bolloré will also have to navigate between cutting costs while keeping some of the channel's flagship shows. French cultural leaders and politicians were outraged earlier this month when news reports suggested Mr. Bolloré was going to scrap "Les Guignols," which has lost viewers in recent years. Mr. Bolloré has since said the program is a key asset to Canal Plus and an important part of the channel's history.

Vivendi has slimmed down to refashion itself into a media company, selling assets in telecommunications and videogames that have left it with a nearly EUR10 billion, or about $10.8 billion, cash pile. But besides a few hints, Mr. Bolloré has entertained an air of mystery about his future plans for Vivendi.

The changes at Canal Plus suggest Mr. Bolloré will take a hands-on approach not just in planning the company's future but also in steering individual units.

"This is a strong signal that Mr. Bolloré will be a lot more of an activist inside the company, not just a strategic architect," said Claudio Aspesi, senior media researcher at Bernstein Research. "It's a way to remind everyone that he expects management to do what the board wants it to do."

Write to Nick Kostov at Nick.Kostov@wsj.com and Ruth Bender at Ruth.Bender@wsj.com

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