SGI Technology Enables One of London's Premier Digital Film
Facilities to Expand Digital Intermediate Services MOUNTAIN VIEW,
Calif. and LONDON, Sept. 7 /PRNewswire-FirstCall/ -- With seven
digital film recorders running 24/7 and more film directors
requesting the stunning visual fidelity of the 4K digital
intermediate process, Capital FX, one of the UK's leading
post-production companies, selected Silicon Graphics (NYSE:SGI) as
the storage and cross-platform networking solution provider for its
new digital intermediate (DI) theatre. Housed in London's Mayfair
district, close to the heart of UK film and television production
in Soho, Capital FX now has the ability to complete the film-making
process from the digitization of raw shot rushes, through colour
grading, dust busting, editing, special effects, compositing and
film write-out in real time, at 2K or 4K resolution. Installing a
SGI(R) InfiniteStorage RM660 SAN with SGI(R) InfiniteStorage Shared
Filesystem CXFS(TM) software means that Capital FX has centralized
its digital workflow, allowing multiple operations to be performed
simultaneously on multiple operating systems in different suites in
the facility. This reduces the requirement to copy data-critical in
this market, where a 90-minute feature film in 4K resolution
generates 16TB of data. The solution was purchased in the quarter
ending in June. Almost as soon as the eight-seat DI theatre was
operational, Capital FX realized demand outweighed their capacity.
Warner Bros.' Charlie and the Chocolate Factory came in as a 4K
project, requiring DI, color-grading, and effects, plus subtitling
and final output to film for 21 different language versions. The
facility has taken a second floor in the Mayfair building to
construct an additional, much larger DI theatre venue, and is
rapidly proceeding to purchase additional SGI InfiniteStorage
systems and related networking hardware and software. The expansion
is, in part, to ensure Capital FX is ready to handle another major
4K DI project, Warner Bros' Harry Potter and the Goblet of Fire,
due to be released in the US in mid-November. The Harry Potter job
will include film scan to digital intermediate, effects,
compositing, and color-grading, with many different language
versions as well. "With the SGI InfiniteStorage RM660 system we
have converged the entire workflow to work on one feature at a
time, and we don't have to copy two or three sequences to various
locations on the network while different departments work and then
convert the changes," said George Ilko, IT director, Capital FX.
"Initially, we selected SGI for the CXFS shared filesystem, which
is unique to SGI, so that we all can work simultaneously. We also
based the decision on reputation, technical expertise, and products
we knew were robust, as well as for SGI GRIO software, which
provides the ability to play back a 2K scanned full-length feature,
which is 2.5 to 3TB of data, in real time, or a 4K scanned feature,
at around 16TB of data, in real time. We run ARRI scanners, film
recorders, and color management software in addition to Autodesk
software. Between ARRI, Autodesk and SGI we've got a really good
partnership and very good integration between the three companies'
systems. This is a very efficient way of working." The DI theatre
at Capital FX is an Autodesk Discreet(R) Lustre(R) 2K/4K digital
grading and color correction system. Designed as a complete preview
theatre with full Dolby(R) Digital 5.1 surround sound and THX(TM),
it features a Barco(R) D-Cine Premiere DP100 digital projector and
a Kinetron film projector for side-by-side comparisons on the
8-metre-wide screen. The SGI InfiniteStorage RM660 SAN with 20TB
storage uses SGI InfiniteStorage Shared Filesystem CXFS to link to
the entire facility. The DI theater, with Lustre running on
Windows(R) XP, is networked to a Discreet(R) Smoke(R)
editing/finishing system running on an SGI(R) IRIX(R) OS-based,
4-processor Silicon Graphics(R) Tezro(R) visual workstation for HD
and special effects, and is also networked to the post-production
suite, which primarily runs Discreet(R) Combustion(R), along with
Apple(R) Shake(R), and Eyeon Software's Digital Fusion(R). Capital
FX's own in-house art department, which creates original title
sequences and artwork on Apple(R) Macintosh(R) systems, is also
linked by the SGI SAN. SGI shared filesystem CXFS ensures seamless
workflow between any and all of the suites, regardless of operating
system. SGI(R) Guaranteed Rate I/O (GRIO) v.2, software for
enhanced performance of high-bandwidth data, is in the process of
being added, ensuring real-time DI to film output. Capital FX
protects the valuable intellectual property they work with using
the very latest security solutions from Cisco Systems throughout
the facility's IT structure; as with all of the other components in
the digital workflow, the security solution integrates seamlessly
in the SGI SAN infrastructure. With approximately 40 employees at
present, Capital FX was founded in 1990 as a film optical house,
and transitioned to digital film mastering and an IT infrastructure
almost six years ago. The facility's bread and butter has always
been foreign versioning title work and it offers the only laser
subtitling in the UK. Using CELCO Fury(TM) recorders, which run
Silicon Graphics(R) Octane2(TM) systems, as well as ARRILASER
digital film recorders, the facility has the biggest film output in
Europe, and handles the foreign title versions for almost all of
the major features distributed by Walt Disney Studios, Warner
Bros., Universal Studios, Sony Pictures, United International
Pictures, and 20th Century Fox. The recent addition of the DI
Lustre suite with SGI RM660 storage and SGI shared filesystem CXFS
has proved a tremendous success. Capital FX has used the theatre
suite to finish not only the DI and color-grading but extensive
original work on a number of late summer and early fall releases,
including Stealth, scanned in at 4K, and Batman Begins, Asylum,
Ripley Under Ground, The Bridge, Dead Man's Card and the just
completed V for Vendetta, all scanned in at 2K. "With the current
push for a larger venue DI theatre, SGI's scalable InfiniteStorage
systems are an important benefit, allowing us to add nearline
storage very quickly. That's a huge need of ours, to keep
constantly growing the network," said Ilko. "We'll actually be
doubling the storage to 40TB of online storage, switching on GRIO,
putting in a 68TB nearline storage device and another SGI
InfiniteStorage gateway server. We're also purchasing SGI Data
Migration Facility, which will allow us to automatically dual-state
data, meaning it is copied to online and nearline storage
simultaneously, as it arrives into the network. DMF also monitors
the threshold of the online SGI RM660 storage, and as that gets to
about 80 percent capacity, the data is automatically migrated to
the more cost-effective SATA nearline storage. The scalability of
SGI InfiniteStorage is also important because we've already run
tests in 6K resolution to ensure we're future-proofed, and 6K is
absolute monster!" "Future-proofing a digital intermediate facility
is exactly what SGI InfiniteStorage solutions provide," said Louise
Ledeen, senior marketing manager, production, SGI. "It's having the
storage and networking capabilities you need now, at real-time
speed along with the SGI CXFS cross-platform functionality which
enables our customers to select the best applications for editing,
finishing, and interactive color grading so that directors and
cinematographers, collaborating with the colorists and other
creative talent, can fully realize their artistic vision. And, as
4K digital intermediate becomes more popular, SGI scalable
infrastructure provides the ability to seamlessly add storage
capacity for handling simultaneous projects at 2K and 4K
resolution, and beyond." SILICON GRAPHICS | The Source of
Innovation and Discovery(TM) SGI, also known as Silicon Graphics,
Inc., is a leader in high-performance computing, visualization and
storage. SGI's vision is to provide technology that enables the
most significant scientific and creative breakthroughs of the 21st
century. Whether it's sharing images to aid in brain surgery,
finding oil more efficiently, studying global climate, providing
technologies for homeland security and defense or enabling the
transition from analog to digital broadcasting, SGI is dedicated to
addressing the next class of challenges for scientific, engineering
and creative users. With offices worldwide, the company is
headquartered in Mountain View, Calif., and can be found on the Web
at http://www.sgi.com/. NOTE: Silicon Graphics, SGI, IRIX, Silicon
Graphics Tezro, the SGI cube and the SGI logo are registered
trademarks and CXFS, Octane2 and The Source of Innovation and
Discovery are trademarks of Silicon Graphics, Inc., in the United
States and/or other countries worldwide. Windows is a registered
trademark of Microsoft Corporation in the United States and/or
other countries. Apple, Macintosh and Shake are registered
trademarks or trademarks of Apple Computer, Inc. Discreet is a
division of Autodesk, Inc. Discreet, Smoke, Lustre, and Combustion
are either registered trademarks or trademarks of Autodesk, Inc.
/Autodesk Canada Inc. in the USA and/or other countries. All other
trademarks mentioned herein are the property of their respective
owners. Contact: Lisa Pistacchio, +1-650-933-5683, or , or Julie
Cumberland, +44-118-925-7956, or , or SGI PR HOTLINE,
+1-650-933-7777, or SGI PR FACSIMILE, +1-650-933-0283, all of SGI.
DATASOURCE: SGI CONTACT: Lisa Pistacchio, +1-650-933-5683, or , or
Julie Cumberland, +44-118-925-7956, or , or SGI PR HOTLINE,
+1-650-933-7777, or SGI PR FACSIMILE, +1-650-933-0283, all of SGI
Web site: http://www.sgi.com/
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